Skip to main content

Landscape & Travel Photography

Umbral Visuals

Atmospheric, patient, place-driven photography.

The strongest frames in the archive

Pinnacle

A peacock's fully fanned tail seen head-on, its head centered among rows of iridescent eye-markings.
A silhouetted figure standing inside a neon-outlined gate shaped like a church, lit red and gold at night.

Vietnam

A figure holds a red flag atop a rock outcrop, storm cloud rolling over the jungle valley below.
Two travelers sit on a rock ledge above the Ha Giang valley, watching the light change as cloud moves through below.
Riding the Ha Giang loop at dusk, a line of motorbikes threading the mountain road ahead.
A turquoise river cutting through the Ha Giang mountains, terraced slopes falling away into shadow.

Thailand

Close on the wooden carving of the Sanctuary of Truth, figures layered into the spire against a black sky.
Looking up at the carved spires of the Sanctuary of Truth at dusk, the sea just visible beyond.

Sanctuary of Truth

Wat Rong Khun's white spires mirrored in the temple's reflecting pool under a clear sky.
The Sanctuary of Truth's carved spire lit warm against the night sky.

Japan

Mount Fuji

View Japan
Mount Fuji framed by wind-blown reeds, cloud breaking around the summit.
Osaka Castle's gilded roofline against a clear blue sky, spring branches framing the foreground.

Osaka Castle, Osaka

Extras

01 / 05

Extras

The Blue Temple's golden spire and a silver Buddha statue, swirling ribbon-warp distortion around the frame's edges.Nikki Freeman, grainy and silhouetted with an obscured floral head under radiating light beams, titled 'HOLD STILL.'
01 — Reframed02 — Nikki Freeman

Approach

Umbral Visuals is the work of Liav Haviv, a self-taught landscape and travel photographer with two years behind the camera. The practice found its shape during an extended trip through Vietnam, Thailand, and Japan in early 2025 — the point where photography stopped being incidental and became the work. Everything since has been built on that same instinct: wait for the light, work the frame slowly, add nothing for effect.

Two years into a self-taught photography practice and highly motivated to keep building it — open to work of any kind, with a particular interest in stills and product photography.